Deepa Gahlot lists 10 popular family shows and films streaming on various platforms.
'If Badhaai Ho had not happened, nobody would have talked about me being a good actress.' 'They have never said it before.' 'I would have been nothing.'
The hits and misses of the week.
Badhai Ho tackles a serious subject comically, without losing on entertainment or your attention, says Sudarshana Dwivedi.
Amazon Prime Video has doubled its content investments in India and announced as many as 41 new titles in Hindi, Tamil, Telugu and English, thereby throwing an open challenge to their streaming competitor, Netflix.
As an exercise, Ray is an effort worth encouraging. As a collaboration, it a hit and miss, notes Sukanya Verma.
From cool to cocky, fun to furious, stern to sanskari, here are all the crazy lessons you can learn from Bollywood dads this Father's Day.
Anurag Kashyap's classic Black Friday is a must watch film.
If Netflix and the film's producers thought they would bring younger audiences to the master's works, many who might have aversion to decades-old black and white films, they have failed with the experiment, says Aseem Chhabra.
Sukanya Verma lists the 2018 films that impressive her.
The hit parade of well-made movies continues, ticket sales are creeping up and OTTs are upping the game in one of the best years for the film industry.
'I toh don't even understand making crores because I have never done such a commercially hit film in my life.' 'It's unbelievable for me.'
Well done, Team Talvar. Savera R Someshwar applauds the film.
'Trust me, it's a disadvantage because people don't take you seriously.'
'...changed my image, changed everything.' 'Now I make calls with great confidence.' 'Day before yesterday, I sent a message to a director that I heard you are making a film, is there any role for me?' 'I have confidence now. Earlier, I could never do.'
Talvar is a cleanly-crafted film, says Raja Sen.
'Wasn't there a single person below 30 in the whole production team? I wondered aloud at different points in the narrative,' notes Sreehari Nair.
'The producer will wear these gold ornaments, but they will not part with Rs 30,000 or Rs 50,000 to pay the writer.'
Aseem Chhabra picks the scenes that left him impressed this year.
The propaganda aspect of the movie -- despite it stemming purely from the writer's deepest convictions -- is a clincher for it is highly unlikely that you'll walk out of a screening of Talvar saying, 'I loved the movie, but I still think the parents are guilty.' If you are swept away by the power of the movie, it's also sure to swing your perception in a certain direction,' says Sreehari Nair.
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